The fugue - music as a euphemism in the works of Carson McCullers and Emiliya Dvoriyanova

In Women in the House of Fiction Lorna Sage writes: "…the novels too treated domain character and representation as place where 'others' lived, playing their parts acting out roles…" (Sage 1992: viii). investigates impact women writers have had on post-war fiction employing that every novelist tries to probe boundaries fiction, "voice" views positions through language literature. Using Henry James's metaphor a house, however, is indebted one she read wrote about – Angela Carter. It was Sage, first-ever critic discuss Carter's works thoroughly, who noticed houses are unable endure holding woman her transgressive power at bay. All houses, castles, buildings, entity stands for patriarchal power, eventually destroyed. reads this an attack from novelists against literary inheritance ix). Womanhood topic widely outspoken deeply problematic. Each text takes different ways construct, deconstruct, explain see woman, body, role: society, history, culture. I argue project certain amount personal experience into fictional worlds they create - approach Ellen Moers Literary reading Frankenstein Merry Shelly's personified trauma giving birth. My paper outlines cultural contexts relevant writers. traces how intentional or non-intentional intertextuality connects texts motifs; my article seeks answer brought similar problems. To complete outlined goals, rely close particular texts.